{"id":4,"date":"2009-06-17T01:58:09","date_gmt":"2009-06-16T23:58:09","guid":{"rendered":"http:\/\/hannah-biedermann.de\/?page_id=4"},"modified":"2024-03-11T12:14:55","modified_gmt":"2024-03-11T10:14:55","slug":"fotos","status":"publish","type":"page","link":"https:\/\/hannah-biedermann.de\/?page_id=4","title":{"rendered":"Bilder"},"content":{"rendered":"

Regiearbeiten<\/h3>\n

GRUSEL (2023)
\n<\/strong>Fotos: Nathan Dreesen<\/p>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a>\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Ein Fisch wird nur so gro\u00df wie sein Aquarium (2023)
\n<\/strong>Foto: Christine Tritschler<\/p>\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Der rote Baum (2023)
\n<\/strong>Foto:<\/p>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Der Schnee von Gestern (2022)
\n<\/strong>Foto: Nathan Dreessen<\/p>\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Was das Nashorn sah, als es auf die andere Seite des Zauns schaute (2022)<\/strong>
\nFotos: Thilo Beu<\/p>\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

d\u00c4monen (2022)
\n<\/strong>Fotos: Christian Hermann<\/p>\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u200b<\/p>\n

R\u00c4UMEN (2020)
\n<\/strong>Fotos: MinzundKunstphotography<\/p>\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

DENKEN OHNE GEL\u00c4NDER (Konzept und Performance) (2020)
\n<\/strong>Fotos: Christian Hermann<\/p>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

WER WERDEN (2020)
\n<\/strong>Fotos: Andreas Etten<\/p>\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\nHIERONYMUS (2019)
\n<\/strong>Fotos: Therese Schuleit, Finn Cam<\/p>\n\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\nDas M\u00e4dchen, mit dem die Kinder nicht verkehren durften (2019)
\n<\/strong>Fotos: Isabel Machado Rios<\/p>\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

perfect family (2019)
\n<\/strong>Fotos: Thomas Rabsch<\/p>\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Rose ist eine Rose ist eine Rose (2019)<\/strong>
\nFotos: Alexander Wunsch<\/p>\n\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Alle Jahre wieder – Ein Familienst\u00fcck in Feierlaune (2018)
\n<\/strong>Fotos: Birgit Hupfeld
\n<\/strong><\/p>\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n


\nTrollwut – Ein Diskursmusical (2018)
\n<\/strong>Fotos: Meyer Originals<\/p>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

LIEBE \u00dcBEN (2018)
\n<\/strong>Fotos: Robin Junicke<\/p>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Eltern – Ein Forschungsunterfangen (2018)
\n<\/strong>Fotos: Christian Wasenmueller<\/p>\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\nDie Regeln des Sommers (2017)
\n<\/strong>Fotos: Christian Kleiner<\/p>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Max & Moritz (2017)
\n<\/strong>Fotos: Christian Hermann<\/p>\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

METAPOLIS (2017)
\n<\/strong>Fotos: Volker Beinhorn
\n<\/strong><\/p>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\nDie rote Zora (2017)<\/strong>
\nFotos: Ludwig Olah<\/p>\n\n\n\n\n\n\n\n
\"zora1\"<\/a><\/td>\n\"zora4\"<\/a><\/td>\n<\/tr>\n
\"zora7\"<\/a><\/td>\n\"zora6\"<\/a><\/td>\n<\/tr>\n
\"zora8\"<\/a><\/td>\n\"zora10\"<\/a><\/td>\n<\/tr>\n
\"zora5\"<\/a><\/td>\n\"zora9\"<\/a><\/td>\n<\/tr>\n
\"zora2\"<\/a><\/td>\n\"zora3\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Entweder und (2016)<\/strong>
\nFotos: Tobias Metz<\/p>\n\n\n\n\n\n\n\n
\"_mf_0677\"<\/a><\/td>\n\"_mf_0773\"<\/a><\/td>\n<\/tr>\n
\"_mf_1101\"<\/a><\/td>\n\"_mf_1165\"<\/a><\/td>\n<\/tr>\n
\"_mf_1207\"<\/a><\/td>\n\"_mf_0884\"<\/a><\/td>\n<\/tr>\n
\"_mf_1134\"<\/a><\/td>\n\"_mf_1242\"<\/a><\/td>\n<\/tr>\n
\"_mf_1186\"<\/a><\/td>\n\"_mf_1085\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

All about Nothing (2016)
\n<\/strong>Fotos: Christoph Wolff<\/p>\n\n\n\n\n\n\n\n\n
\"pulkfiktion_AllaboutNothing_Credit<\/a><\/td>\n\"pulkfiktion_AllaboutNothing_Credit<\/a><\/td>\n<\/tr>\n
\"pulkfiktion_AllaboutNothing_Credit<\/a><\/td>\n\"pulkfiktion_AllaboutNothing_Credit<\/a><\/td>\n<\/tr>\n
\"pulkfiktion_AllaboutNothing_Credit<\/a><\/td>\n\"pulkfiktion_AllaboutNothing_Credit<\/a><\/td>\n<\/tr>\n
\"pulkfiktion_AllaboutNothing_Credit<\/a><\/td>\n\"pulkfiktion_AllaboutNothing_Credit<\/a><\/td>\n<\/tr>\n
\"pulkfiktion_AllaboutNothing_Credit<\/a><\/td>\n\"pulkfiktion_AllaboutNothing_Credit<\/a><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Galaktika Silencia (2016)
\n<\/strong>Fotos: Julius Matuschik<\/p>\n\n\n\n\n\n\n
\"galaktika<\/a><\/td>\n\"galaktika<\/a><\/td>\n<\/tr>\n
\"galaktika<\/a><\/td>\n\"galaktika<\/a><\/td>\n<\/tr>\n
\"galaktika<\/a><\/td>\n\"galaktika<\/a><\/td>\n<\/tr>\n
\"galaktika<\/a><\/td>\n\"galaktika<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Der Junge mit dem Koffer (2016)
\n<\/strong>Fotos: Ludwig Olah<\/p>\n\n\n\n\n\n\n
\"tempimage_15217_637D22713D144DF28EF7D3146C7F155B\"<\/a><\/td>\n\"tempimage_15201_0FACB8479182EDE923A54B45AC5BB709\"<\/a><\/td>\n<\/tr>\n
\"tempimage_15225_1331CE3B0472E69D19D70E2C8402846F\"<\/a><\/td>\n\"tempimage_15185_B75037735AD2BBEA8E0185D1C98A0932\"<\/a><\/td>\n<\/tr>\n
\"tempimage_15161_B9E3A918EB794D932BA8923930A32D1C\"<\/a><\/td>\n\"tempimage_15181_D321A611A4B3A44C28218069337FC505\"<\/a><\/td>\n<\/tr>\n
\"tempimage_15153_C411F39BEB3887B0F5875B080608DC71\"<\/a><\/td>\n\"tempimage_15149_42BCDCE770373391676F18BAFD3C6678\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

M\u00fcll. Ein Making – of (2015)<\/strong>
\nFotos: David Baltzer<\/p>\n\n\n\n\n\n\n
\"SetRatioSize800600-GripsMuell1\"<\/a><\/td>\n\"12122696_10153769430538267_316059069153672130_n\"<\/a><\/td>\n<\/tr>\n
\"12109118_10153769430543267_6057402975225959875_n\"<\/a><\/td>\n\"SetRatioSize800600-GripsMuell9\"<\/a><\/td>\n<\/tr>\n
\"croppedimage540360-GripsMuell8\"<\/a><\/td>\n\"12106738_10153769430523267_5814159059563160803_n\"<\/a><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Der gewissenlose M\u00f6rder Hasse Karlsson enth\u00fcllt die entsetzliche Wahrheit, wie die Frau auf der Eisenbahnbr\u00fccke zu Tode gekommen ist (2015)
\n<\/strong>Fotos: Felix Gr\u00fcnschloss<\/p>\n\n\n\n\n\n
\"102_Hasse_Karlsson_web\"<\/a><\/td>\n\"468_Hasse_Karlsson_web\"<\/a><\/td>\n<\/tr>\n
\"234_Hasse_Karlsson_web\"<\/a><\/td>\n\"476_Hasse_Karlsson_web\"<\/a><\/td>\n<\/tr>\n
\"132_Hasse_Karlsson_web\"<\/a><\/td>\n\"147_Hasse_Karlsson_web\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Methode Baklava (2015)<\/strong>
\nFotos: Meyers Original<\/p>\n\n\n\n\n
\"Methode<\/a><\/td>\n\"Methode<\/a><\/td>\n<\/tr>\n
\"Methode<\/a><\/td>\n\"Methode<\/a>\"Methode<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Am Ende ist man immer nur wer anderes (2014)
\n<\/strong>Fotos: J\u00f6rg Metzner
\n<\/strong><\/p>\n\n\n\n\n
\"20140623-050_Ende\"<\/td>\n\"20140623-107_Ende\"<\/td>\n<\/tr>\n
\"20140623-103_Ende\"<\/td>\n\"20140623-123_Ende\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Papas Arme sind ein Boot (2013)
\n<\/strong>Fotos: Meyers Original<\/p>\n\n\n\n\n\n
\"Papas<\/td>\n\"Papas<\/td>\n<\/tr>\n
\"Papas<\/td>\n\"Papas<\/td>\n<\/tr>\n
\"Papas<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Neben mir – Recherchest\u00fcck \u00fcber unsere Erscheinungsbilder (2012)
\n<\/strong>Fotos: Felix Gr\u00fcnschloss<\/p>\n\n\n\n\n\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
\"\"<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Soweit ich<\/strong> mich erinnern kann, war ich immer schon da (2012)<\/strong><\/p>\n\n\n\n\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Die Geschichte von Lena (2011)
\n<\/strong>Fotos: Ursula Kaufmann<\/p>\n\n\n\n\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Efraims T\u00f6chter (2009)
\n<\/strong>Fotos: Nele Jeromin<\/p>\n\n\n\n\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/h3>\n

Schauspiel (und Konzept)<\/h3>\n

Schwester (2012)
\n<\/strong>Fotos: Ursula Kaufmann<\/p>\n\n\n\n\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Der Rest der Welt (2011)
\n<\/strong>Fotos: pulk fiktion<\/p>\n\n\n\n\n
\"P1020875\"<\/td>\n\"P1040220\"<\/td>\n<\/tr>\n
\"RestderWelt21\"<\/td>\n\"RestderWelt31\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

ein st\u00fcck autokino (2007)
\n<\/strong>Fotos: Eva Mojave Cerna<\/p>\n\n\n\n\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n
\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Regiearbeiten GRUSEL (2023) Fotos: Nathan Dreesen Ein Fisch wird nur so gro\u00df wie sein Aquarium (2023) Foto: Christine Tritschler Der rote Baum (2023) Foto: Der Schnee von Gestern (2022) Foto: Nathan Dreessen Was das Nashorn sah, als es auf die andere Seite des Zauns schaute (2022) Fotos: Thilo Beu d\u00c4monen (2022) Fotos: Christian Hermann \u200b … Continue reading Bilder<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hannah-biedermann.de\/index.php?rest_route=\/wp\/v2\/pages\/4","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hannah-biedermann.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hannah-biedermann.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hannah-biedermann.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/hannah-biedermann.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4"}],"version-history":[{"count":154,"href":"https:\/\/hannah-biedermann.de\/index.php?rest_route=\/wp\/v2\/pages\/4\/revisions"}],"predecessor-version":[{"id":3001,"href":"https:\/\/hannah-biedermann.de\/index.php?rest_route=\/wp\/v2\/pages\/4\/revisions\/3001"}],"wp:attachment":[{"href":"https:\/\/hannah-biedermann.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}